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"Did I ever thank you soldier…"
This simple question begins a song written by my friend and mentor, Sean Slattery. Known as "Papasean" by those of us in Veterans For Peace chapter 72, he was our balladeer and link to the glory days of the Vietnam War protests. "Papasean" died Wednesday, March 7th, his 68th birthday.
I first met Sean in 1965 when I was a junior in high school and started
hanging out at the Café Orpheus, a little coffee house right next
to Portland State. This was when the folk music scene was at its peak.
Bob, Peter, Paul and Mary, Joan Baez, Tom Paxton, Phil Ochs and all the
rest were doing their thing and inspiring a young man who had just picked
up a guitar. Three chords and a few relative minors and I too could do
this. The Café Orpheus was small. So small there wasn't even a
sound system. The stage and the first row of tables were two feet apart.
I spent many an evening in the company of friends and fellow travelers,
soaking up the music and listening to words of wisdom from the many singers
and songwriters who came through Portland and played at the Orpheus.
Sean was born in Chicago March 7, 1939. I don't know about his childhood, but when he turned eighteen he went into the Army and then to jump school. Airborne! Now the Army in its infinite wisdom didn't spend all that money training Sean to be a Paratrooper and use him as one. No. He was with the 82nd for a while but when they realized Sean was an entertainer they sent him to the South Pacific, to some tiny island where he became a disc jockey! Gooood morning Guadalcanal!
Being young, naive and with the draft hanging over my head, in 1967 I too joined the Army. Like many of my generation, I ended up in Vietnam. When I returned home in 1970, the protests were hot and heavy. On May 4th Kent State happened. A week later at the South Park block by Portland State there was a demonstration against this outrage and the continuing Cambodian invasion. Like so many other protests, this one was broken up by billy clubs and gas wielded by the Portland Police lead by the Police Commissioner at the time Frank Ivancie. I was there but split before my head was. Sean was there too, although I didn't know it at the time. The next Portlanders took to the streets to protest this attack on a peaceful encampment. I wasn't there and was more than likely off fishing or trying to score, but Sean was there. In fact the morning edition of the local fish warp, The Oregonian, had a front page article with a picture about the march up Broadway. A friend of Sean's gave me a copy of that front page just the other day and lo and behold, the picture showed the front line of the march and there was Sean with his guitar leading the way.
Sean and I went our separate ways. I did the usual thing of getting my
life restarted and readjusting to civilian life. Sean however didn't stop
working for peace. He hit the road.
I lost contact with Sean for many years. He would pass through Portland for a while singing at the local pubs. The war was over and his career as a Folksinger was taking off. He traveled all over the country and the world, the quintessential Irish rover. He wrote and recorded his own songs, played from Alaska to Ireland and never forgot his brothers in arms. Four years ago I ran into Sean again. He had moved into the neighborhood. What a joy to find him again and renew a bond of music and peace. As we talked and reminisced we got around to discovering that we both were vets. I didn't know he was one and immediately recruited him to my VFP chapter. What was the first thing he wanted to do? Why hold a concert for peace of course. It took a little while what with the elections and anti-war events taking up our time but the first of the VFP Peace Jams was held at Kelly Plaza in the Hollywood district of Portland, in September of 2004. It was a success and planning for the next year started. That next year the Peace Jam was right after Hurricane Kartina. We dedicated the concert to the victims and raised funds to aid them. Another success. Throughout Sean's involvement with Veterans For Peace, he was a tireless advocate for bringing justice to the victims of war, military and civilian alike. His history of advocating for justice is a long and powerful one. He always wanted to be involved with the events we planned and brought dignity, truth and righteous anger to the forefront with his music. He sang songs of war and peace, worker's rights, the oppression of the poor and celebrations of the spirit. He sang for us on the 35th anniversary of Dewey Canyon III and the dedication of the Peace Memorial Park. He sang for us. He sang for those without a voice. He sang truth to power.
Sean Lewis remembers Papasean. My first memory of Sean was being introduced to him at a VFP meeting more than three years ago. Mike said that I "need to meet Sean Slattery". After that moment of "Hi, Sean," "Hi, Sean," passed, he said, "I guess I'd better stick with calling myself Papa-Sean now." Although he was recently out of the hospital, I saw spark in Papa Sean's eyes, and a spring in his step that seemed to come from the spirit of a man who lived life. I liked him immediately. In 2004, when VVAW's history was in the news, and I had questions about VVAW and the march on Washington, Mike Mullane and Sean filled me in with the big story, and also their own experiences. With minimal prodding from Mike, Sean told me about when he was called upon to serenade a meeting between John Kerry and Senator Ted Kennedy on the Capitol Lawn with "Wild Colonial Boy". What I learned of Sean's history impressed me, but it is what I observed myself that made me admire him. His broad Irish grin glowed with energy. He had the confidence to make his art, and make friends. He had the audacity to plan his own wake. At the first VFP-sponsored event where I saw Sean, he noticed my Airborne wings on my shirt, and pointed to a pair just like them on his jacket lapel. "How you doing, Airborne?" At every chapter meeting when his health would allow, I was always happy to see Papa Sean. When he was organizing his annual Peace Jam gig at Kelly Plaza, I met with him to see how I could help. Then he started talking about other projects, other music festivals he wanted to hold that would reach a younger audience. He introduced me to a couple of young musicians who were into the dark music scene, trying to get us to work together on a Peace Jam of our own. It was then that I realized that Papa Sean's friendliness and openness were absolutely genuine and natural. His lust for life and love of people made him that guy who could greet anyone, that guy who could go from a greeting to a friendship in a matter of hours. I believe that this is what kept his spirit young, even as his body was rebelling against him. These qualities also made him someone I looked up to, a role-model, a mentor who could teach me -- or anyone -- a few things about enjoying life. "..a mentor who could teach me -- or anyone --a few thing about
enjoying life." That was Papasean. He enjoyed life and brought that
spirit to the rest of us. We will be celebrating Papasean with a good
old fashion Irish wake.
Here's to you Sean Slattery, we will soldier on for peace in your name and in your spirit.
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